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Content includes:
William P. Brockmeier, New York: Art Directors Club of New York. 50th Exhibition of Advertising and Editorial Art
Edward Booth-Clibborn, London: Design & Art Direction ’71, London.The Ninth Exhibition of British Advertising and Editorial Art
Dr. Willy Rotzler, Zurich: A Design Contest for New Swiss Bank Notes
Dr. Willy Rotzler, Zurich: Hap Grieshaber
Jerome Snyder, New York: Edward Sorel
Jerome Snyder, New York: Vin Giuliani
Edward M. Gottschall, New York: Survival

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Graphis 154, 1971
Graphis 154, 1971. Cover design by Vin Giuliani
Graphis is one of the industries most long-standing magazines. It was first published in 1944 and founded by Walter Herdeg and Walter Amstutz in Zurich, Switzerland. It was released bimonthly and was trilingual, with articles in English, French and German.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.

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1930s periodical 'Monografieën over filmkunst' designed by dutch designer Piet Zwart remains a pinnacle of Dutch avant-garde design.

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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.
Every year the 20 best posters are selected in Germany and once more brought to the attention of the public. We do not publish all the twenty posters today; instead we add some which failed to be distinguished and which nevertheless are distinguished.