Information

Content includes:
William Blake. The Visionary in Book-Craft (F.Stahly)
The Book of the Marvels of the World. An Iranian Illuminated Manuscript of the XIII.Cent. (Henri Masse)
The Art Directors Club of New York: 26th Annual National Exhibition of Advertising and Editorial Art (1947)
Le Theatre de la Mode (Colette Vasselon)
Ballet – Last Refuge of the Unrealistic Theatre (George Amberg)
Jean-Denis Malcles – and his enchanted world. (C. Vasselon)
Popular Graphic Art in Old Brittany (P.L. Duchartre)
Frank Pick – and his Influence on Design in England (Ch. Barman)
Zuka. Exhibition – Visual Information (G. Oeri)
Graphic Art in the Atom World (Max Bill)

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Graphis 21, 1948. Cover design by Jean-Denis Malclés
Graphis 21, 1948. Cover design by Jean-Denis Malclés
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.