Content includes:
Ben Shahn. (James Thrall Soby)
Interrelations. (Will Burtin and L.P. Lessing)
AOA, American Overseas Airlines (G.O. Austen)
Booksellers’ Posters in the Romantic Era (W.H. Allner)
Walter Trier. Some of his Lilliput Covers (Georgine Oeri)
The Early Pottery of Islam (Arthur Lane)
Graphic Art on Old Swiss Mill Sacks (A. Rudlinger)
Joan Miro. A Surrealist Mural in an American Hotel (F. Stahly)
New Swiss Posters (Georgine Oeri)
Stands at the Swiss Industries Fair Basle (H. Neuburg)
Calixte. Advertising and Elegance (Colette Vasselon)
Reflections on Original Lithography (R. Wehrlin)
Thomas Theodor Heine (Ernst Penzoldt)
Jo vol Kalckreuth (Axel von Ambesser)
Enrico Bo. A Young Painter in his Old Days (Fabrizio Clerici)
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Corporate Identity & Branding, Design Archive Feature, Members Only Content, Regional Histories
Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.
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Advertising Design, Design Archive Feature, Members Only Content
A 1936 article on Walter Spiegel, originally in German and English, published in Gebrauchsgraphik, February 1936.
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Advertising Design, Corporate Identity & Branding, Design Archive Feature, Regional Histories
IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.
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