Graphis 251, 1987

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Content includes:
Eric Meola: How to adapt the eye to a multiple vision of things, by Rose DeNeve
Mirko Ilic: The powerful imagery of a prolific illustrator and designer, by Steven Heller
The Richards Group: The advertising creation in the manner of Richards, by Clyde W. Burleson
Mexican Posts: The new-look of the old community of Mexican graphic arts, by Lyle Metzdorf
Stanislaw Fernandes: Opening a new dimension of illustration, by Jill Bossert
Richard Dunkley: The return in force of a black and white photo, by Nancy Garfinkel

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Graphis 251, 1987
Graphis 251, 1987
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From the design archive:
From the design archive:
From the design archive:
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A short free-to-access feature on Swiss Design. The movement was influenced by Bauhaus and De Stijl, sought clarity and visual unity, making it a powerful force in global graphic design that remains influential today.

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Ikko Tanaka (田中一光, 1930–2002) was a celebrated Japanese graphic designer. His client list included Mazda, Hanae Mori and Issey Miyake, Expo '85 in Tsukuba, World City Expo Tokyo '96, and the Victoria and Albert Museum.

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The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.
Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.