Information

Content includes:
Nationalised Advertising Art in France (Francois Stahly)
Savignac Recent Posters (Robert Guerin)
Nathan. (Charles Rosner)
The Upjohn Company. The Creation of an Advertising Character (William B. McDonald)
Indian Painting (Basil Gray)
Ashley: Artist into Art Director (Charles Rosner)
Art of the Watermark (Dr. Armin Renker)
The Beginnings of Printed Graphic Art in Europe(Dr. Arnold Pfister)
Manfred Reiss (Basil Bard)
Poster Advertising of a Daily (Mildred Constantine)
Printed Furniture (Gio Ponti)

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Graphis 39, 1952. Cover design by Olle Eskell
Graphis 39, 1952. Cover design by Olle Eksell
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.