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Content includes:
Armin Kesser, Zurich: Ben Nicholson
Mary Gowing, London: Hans Schleger
Manuel Gasser, Zurich: Swiss Posters 1960
William B. McDonald, London: Elle.A New Trend in French Magazine Design
Claudio Bianconi, Milano: Marco Biassoni
Dott. Lidia Crescini, Milano: Andrea Mantegna. The Bridal Chamber in the Ducal Palace at Mantua
Dr. Willy Rotzler, Zurich: The Art Directors Club of New York.39th Exhibition of Advertising and Editorial Art
A. Hyatt Major, New York: J.J. Audubon. Draughtsman of the Birds of America
Hans Pflug, Zurich: Andre and Pierre Gonin’s Limited Editions

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Graphis 93, 1961. Cover design by Ben Nicholson.
Graphis 93, 1961. Cover design by Ben Nicholson.
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.

Members Content

Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.
In minor printed matter we constantly meet the new typography, but it is relatively rare to find posters designed on the new lines. And yet poster-designing is a field where new typographical methods might be employed with great effect.
The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.