Henri Michaux, Stedelijk Museum, Amsterdam, 1964

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Henri Michaux, Stedelijk Museum, Amsterdam, 1964 designed by Wim Crouwel (Total Design)
Henri Michaux, Stedelijk Museum, Amsterdam, 1964 designed by Wim Crouwel (Total Design)
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From the design archive:
From the design archive:
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The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.
The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.

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As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.

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Kiyoshi Awazu (粟津) was a renowned Japanese graphic designer, known for his contributions across various creative fields including poster design, architecture, set design, filmmaking, and illustration. His unique style was commissioned by theatre groups, design and architecture magazines and various organisations for the covers of book covers and posters.