Idea 220, 1990-5

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Cover Design: Dusan Kallay

Content includes:
The World Masters: 2 Paul Davis
The 30th Year Anniversary Exhibition of Nippon Design Center
ICOGRADA-JAGDA Pan-Pacific Design Congress ’89 Tokyo Susumu Sakane
Charles S. Anderson Exhibition
Aoyama: Stationery Exhibition
JAGDA Poster Exhibition ‘WATER’ Yusaku Kamekura, Shigeo Fukuda
Jeffrey Bacon’s Cinema Posters
Anita Kunz
The 1989 PDC International Gold Awards Competition Lewis Moberly, Takeo Yao
Erik Spiekermann, A Typographer Shigeru Watano, Yachiyo Matsuzaki
The Trick Shigeo Fukuda
Normand Cousineau
Nelly Charbonneaux
Ainslie MacLeod
International Design Festival ’89 4th International Design Competition and International Deisgn Award Midori Imatake
Sudarshan Dheer Paul Peter Piech
Thomas Kruse – The ‘Danish Picasso’ of Posters Paul Peter Piech
Andre Miripolsky Hisaka Kojima
Barbara J.D. Listenik
Series 18: Art in New York Today, Tom Clancy Shoichiro Higuchi

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Idea 220, 1990-5. Cover design by Dusan Kallay
Idea 220, 1990-5. Cover design by Dusan Kallay
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1930s periodical 'Monografieën over filmkunst' designed by dutch designer Piet Zwart remains a pinnacle of Dutch avant-garde design.
Triest Verlag für Architektur, Design und Typografie are a Swiss independent publisher producing specialist design books in the realms of typography, graphic design and architecture. Their books provide valuable insights and the print production is of exceptional quality. I interviewed the founders, to find out more about their books.

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In 1997 Tadanori Yokoo showcased 31 new silkscreens at the Ginza Graphic Gallery in Tokyo. Many of these works were previously unseen, and I was fortunate enough to discover a feature in a back issue of Idea magazine that showcased the full collection of silkscreen posters. 

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.