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Graphic Design History from Design Reviewed

Idea 271, 1998-11

Information

Special Feature: David Carson –“moving on” Planning and Arrangement: IDEA Editorial Staff, Project Director + Text: Teiji Fujii
Fumio Tachibana –Paper and Letters Text: IDEA Editorial Staff
Kashiwa Sato –Designs with a Strong Beat Text: IDEA Editorial Staff
The 18th International Biennale of Graphic Design Brno 1998 Text: Tadanori Yokoo
Claudia Schmauder –Gold Medal Winning Designer at Brno Biennale
Alexei Tylevich –A Young Designer Committed to the Revitalization of American Show Biz
A Special Feature on New Works: “Hidden Visual World” of Kijuro Yahagi Framework + Text: Kijuro Yahagi

Details

  • Format: Magazine
  • Designer/s: David Carson
  • Year: 1998
  • Client/Publisher: Seibundo Shinkosha Publishing Co

Linked Information

Idea 271, 1998-11
Idea 271, 1998-11
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International Poster Annual, Volume 11, Arthur Niggli, 1963. Cover design by Páez Torres
From the design archive:

International Poster Annual, Volume 11, Arthur Niggli, 1963

  • Format: Book
  • Designer/s: Páez Torres
  • Year: 1963
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Graphic Design 22, 1966
From the design archive:

Graphic Design 22, 1966

  • Format: Magazine
  • Designer/s: Takashi Kono
  • Year: 1966
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Dingen van Arie, Stedelijk Museum, Amsterdam, 1969 designed by Wim Crouwel and Jolijn van de Wouw (Total Design)
From the design archive:

Dingen van Arie, Stedelijk Museum, Amsterdam, 1969

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel and Jolijn van de Wouw (Total Design)
  • Year: 1969
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Gebrauchsgraphik, 2, 1936
From the design archive:

Gebrauchsgraphik, 2, 1936

  • Format: Magazine
  • Year: 1936
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Members Content

Engineering, British Job Centre Postcard, mid to late 1970s
  • Design Archive Feature, Members Only Content

Friendliness and Efficiency. 1970s Postcards for the British Job Centre

The designer is unstated on these postcards, which were designed during the mid to late 1970s, but these playful illustrations alongside what looks to be Frankfurter Bold definitely fit the criteria of friendliness and efficiency
montages5
  • Designer Profile

Ken Garland

Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.
Scan 47 copy 2
  • Design Archive Feature

House Style – Why it important? by Alec Davis

House style can give identity to the diverse products or activities of a firm. It stimulates loyalty, helps to reduce costs, and has advertising value.

Members Content

and-so-to-the-Needlework-Development-Scheme
  • Design Archive Feature, Members Only Content

And So…the Needlework Development Scheme

Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.