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Graphic Design History from Design Reviewed

Idea 313, 2005-11

Information

Content includes:
Special Feature: Graphics of Warp Record
Special Feature 2: 2×4 “12 ideas for Idea”
Special Feature 3: Namaiki A.R.S.E – Agricultural Research Super Extraordinary
Talk Session “Typography with love, uniqueness and affluence” Nobuo Nakagaki, Mitsuo Fukawa, Hirokazu Mukai
esign manierism vol.2 “Characteristica Universalis” by Hiroshi Takayama
When Pigs Design Vol.33 by Kyoichi Tsuzuki “How cool not to be cool is–Great airbrush painters Part.1”
Invisible Language vol. 17 An interview with Emma Clarke by Paul Elliman
Shinro Ohtake Original Serial Poster [2nd impact] Part 14 Side A(inside): At Marco, ’93 Side B:(outside): Police Journal

Details

  • Format: Magazine
  • Year: 2005
  • Client/Publisher: Seibundo Shinkosha Publishing Co
  • Size: 226mm x 297mm

Linked Information

Idea 313, 2005-11
Idea 313, 2005-11
More graphic design artefacts
Melle, Stedelijk Museum, Amsterdam, 1972 designed by Wim Crouwel (Total Design)
From the design archive:

Melle, Stedelijk Museum, Amsterdam, 1972

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel (Total Design)
  • Year: 1972
View Artefact
Novum Gebrauchsgraphik, 12, 1978. Cover Design by Nella Bosnia
From the design archive:

Novum Gebrauchsgraphik, 12, 1978

  • Format: Magazine
  • Designer/s: Nella Bosnia
  • Year: 1978
View Artefact
Idea 243, 1994. Cover design by Alan Fletcher
From the design archive:

Idea 243, 1994

  • Format: Magazine
  • Designer/s: Alan Fletcher
  • Year: 1994
View Artefact
Atlas Filmheft 51 - Chicago - Engel mit schmutzigen Gesichtern designed by Fischer-Nosbisch
From the design archive:

Atlas Filmheft 51 – Chicago – Engel mit schmutzigen Gesichtern

  • Format: Film Programme
  • Designer/s: Fischer-Nosbisch
View Artefact

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More graphic design history articles
Fred Troller Design on Volume
  • Design Books

The first comprehensive survey of Fred Troller!

Unit Editions launches Fred Troller Design on Volume – the first comprehensive survey of the work of a pioneering designer who brought Swiss modernism to America in the 1960s, via influential projects for clients including IBM, American Airlines and Geigy.

Members Content

Design, Council of Industrial Design, 116, August 1958. Cover design by Ken Garland copy
  • Design Archive Feature, Members Only Content

Ken Garland and the British magazine, Design

Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.

Members Content

Bruno Schmidt Advertisement, 1962. Designed by Günter Heil. Scanned from Gebrauchsgraphik, 5, 1965
  • Design Archive Feature, Members Only Content

Advertising 16mm Film. The work of Günter Heil

Little is known about the designer Günther Heil. he established his graphic studio in Berlin and designed many advertisements for 8mm and 16mm film distributor Bruno Schmidt in the 1960s. These were created in the same era as the film distributor Atlas Films was sending films to art-house theatres and were hiring designers Hans Hillmann, Hans Michel, Günther Kieser, Wolfgang Schmidt and Karl Oskar Blase.

Members Content

Alfieri & Lacroix Advertisement designed by Franco Grignani. Scanned from Gebrauchsgraphik 04, 1962
  • Design Archive Feature, Members Only Content

Advertisements for Alfieri & Lacroix by Franco Grignani

Franco Grignani (1908-1999) was one of the twentieth century’s most important Italian graphic designers. Scanning the inner pages of Gebrauchsgraphik 04, 1962, I have managed to collate a selection of the advertisements created in the 1950s and early 1960s, showcasing his groundbreaking design work.