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Graphic Design History from Design Reviewed

Idea 388, 2020-01

Information

The Current State of Online Portfolios
Collective Consciousness Emerging from Social Media: Acid Graphics
Direction by Kentaro Takaoka and Idea
Design by LABORATORIES (Kensaku Kato, Hiroyuki Kishida)

Details

  • Format: Magazine
  • Year: 2020
  • Client/Publisher: Seibundo Shinkosha Publishing Co

Linked Information

Idea 388, 2020-01
Idea 388, 2020-01
More graphic design artefacts
Typografische Monatsblätter, 6-7, 1969. Cover design by Theophil Stirnemann
From the design archive:

Typografische Monatsblätter, 6-7, 1969

  • Format: Magazine
  • Designer/s: Theophil Stirnemann
  • Year: 1969
View Artefact
Type Talks, January-February 1967, Volume 150, 1967
From the design archive:

Type Talks, January-February 1967, Volume 150, 1967

  • Format: Magazine
  • Year: 1967
View Artefact
Design No.76 October 1965. Cover design by Takashi Kono
From the design archive:

Design (Japan), 076, 1965

  • Format: Magazine
  • Designer/s: Takashi Kono
  • Year: 1965
View Artefact
Art and Industry 363, September 1956
From the design archive:

Art and Industry 363, September 1956

  • Format: Magazine
  • Year: 1956
View Artefact

view more of the graphic design archive

More graphic design history articles
12-Flexible-Visual-System-Martin-Lorenz
  • Design Books

Flexible Visual Systems By Dr. Martin Lorenz

Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.
montages5
  • Designer Profile

Ken Garland

Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.

Members Content

Ezio Bonini’s 1950s Advertisements for Linoleum scanned from Gebrauchsgraphik, 08, 1954
  • Design Archive Feature, Members Only Content

Ezio Bonini’s 1950s Advertisements for Linoleum

Ezio Bonini's work for "Società del Linoleum" in Milan, showcasing advertisements designed for various Italian newspapers aimed at expanding the linoleum market
mlfineart-matteolampertico-franco-grignani-dissociazione-al-bordo-n.-145-1967 copy
  • Designer Interview

My Grandfather Franco Grignani, with Emiliano Grignani

Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.