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Graphic Design History from Design Reviewed

Idea 391, 2020-10

Information

Alternative Reality
Design and imagination in dangerous times: where fantasy and reality intersect
Phantom Spoon
Data Journalism and Design
An Icon Works: Labour and Visual Abstraction in Software
Toda Tsutomu: Design with an eye on background
Invisible / unintentional form An interview with Takahiro Kuramine

Details

  • Format: Magazine
  • Year: 2020
  • Client/Publisher: Seibundo Shinkosha Publishing Co
  • Size: 226mm x 297mm

Linked Information

Idea 391, 2020-10
Idea 391, 2020-10
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Eye, Issue 042, Winter 2001
From the design archive:

Eye, Issue 042, Winter 2001

  • Format: Magazine
  • Year: 2001
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Fortune magazine, Vol. 42, No. 4, 1950. Cover design by Erberto Carboni
From the design archive:

Fortune magazine, Vol. 42, No. 4, 1950

  • Format: Magazine
  • Designer/s: Erberto Carboni
  • Year: 1950
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Graphis 01-02, 1944. Cover design by Max Hunziker
From the design archive:

Graphis 01-02, 1944

  • Format: Magazine
  • Designer/s: Max Hunziker
  • Year: 1944
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Form, Internationale Revue 27, September 1964. Designed by Karl Oskar Blase
From the design archive:

Form, Internationale Revue 27, September 1964

  • Format: Magazine
  • Designer/s: Karl Oskar Blase
  • Year: 1964
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Designs for British Aluminium Company Ltd by Tom Eckersley. Featured on the back page of Design magazine, 1957 Cover
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Design from Post-War Britain: Advertising for The British Aluminium Company

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Cinderella - Stuttgart, Bundesn Gartenschau, 1961
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I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.

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Gebrauchsgraphik, 11, 1958. Cover design by Günther Gluckert
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The Magic and Work of Günther Glückert

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Martin Lorenz
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Designers and Books Series – Martin Lorenz

Marin Lorenz has had an amazing career, designing for clients such as ESPN and Nike, teaching at some of Europe's leading design schools and publishing books, such as Flexible Visual Sytems, documenting his research and approach to design practice.