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Graphic Design History from Design Reviewed

Idea, liquid 4, 2001

Information

Content includes:
Fumio Tachibana. Paper and Letters’ Text: IDEA Ed. [No.271/1998]
Gitte Kath ‘Unplugged Design’ Text: Lars Dybdahl. [No.252/1995]
Bruno Monguzzi. Text: Gene Federico [No.267/1998]
Werner Jeker ‘Simple, yet Innovative Composition” Interviewer/Text: Catherine Bürer [No.253/1995]
Jonathan Barnbrook. ‘Typographic Design’ Text: Takuya Matsunoki [No.253/1995]
Cornel Windlin An attitude detacched without disavowing the times. Text: Martin Heller [No.263/1997]
STUDIO DUMBAR “The Whole Story” Part 1: ‘Recent Works’ (No.252/1995] Part 2: ’25 Years Gert Dumber’ [No.253/1995] Part 3: ‘Dumbar’s Influence’ [No.254/1996) Part 4: ‘The Dumbar Phenomenon’ [No.255/1996)

Details

  • Format: Magazine
  • Year: 2001
  • Client/Publisher: Seibundo Shinkosha
  • Size: 224mm X 296mm

Linked Information

Idea, liquid 4, 2001
Idea, liquid 4, 2001
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singuhr - hoergalerie in parochial - Klangkunst - Ausstellungen 1996-1998, Cyanpress, Berlin, 1999. Designed by cyan.
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singuhr – hoergalerie in parochial: Klangkunst – Ausstellungen 1996-1998, Cyanpress, Berlin, 1999

  • Format: Book
  • Designer/s: Cyan
  • Year: 1999
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Visible Language, Vol 12, 04, 1978

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  • Year: 1978
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Mexico 1968, Photo – Revue 5, 1968

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  • Designer/s: Lance Wyman
  • Year: 1968
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Idea, liquid 1, 2001
From the design archive:

Idea, liquid 1, 2001

  • Format: Magazine
  • Year: 2001
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Holland Festival 72 Stamp Designed by Dick Elffers
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Dick Elffers, had been the chosen designer for the printed matter of the Holland Festival for much of the festival's years, he used a painterly style for his work with the festival between 1954 and 1965 and later a more abstract style between 1969 and 1972. As well as publicity design, Elffers was commissioned to design the summer stamps to promote the Holland Festival in 1972.

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Wolfgang Bäumer, Singular Graphic Composition, the advertisements of the Klöckner-Werke AG

Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.

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Work of the Werkkunstschule Wuppertal typography class 1960-1961, headed by Albrecht Ade

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Katia Pecoraro: The dualism between system and freedom, design and life.

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