Idea, liquid 5, 2001

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Contents
Special feature: Evolution of humor expression
Charles S. Anderson Design Company
Evolution of creativity: Nagai Kazumasa
Andrzej Klimovski: Revisiting the subconscious
1994 International Poster Triennial Toyama Gold Prize-winning artist Stasys Eidurigevičius
Dick Bruna: Simple and abstract forms
Contemporaneity of cute things
Kawaii = scary and eerie!? Homma Takashi
“Kawaii” is a part of one’s wholeness – Interview with editorial artist Ito Gabin Interviewer: Sawaragi Noi
Rebellion, deviation, reversal Photography: Tsuzuki Kyoichi
“Exorcists” of cuteness: Sawaragi Noi
groovisions
Maywa Denki

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Idea, liquid 5, 2001
Idea, liquid 5, 2001
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Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.

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Little is known about the designer Günther Heil. he established his graphic studio in Berlin and designed many advertisements for 8mm and 16mm film distributor Bruno Schmidt in the 1960s. These were created in the same era as the film distributor Atlas Films was sending films to art-house theatres and were hiring designers Hans Hillmann, Hans Michel, Günther Kieser, Wolfgang Schmidt and Karl Oskar Blase.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.