Hiroshi Ohchi - Japanese Graphic Designer

Idea October 1962 Extra issue – 12th Exhibition of JAAC

Information

Details

Hiroshi Ohchi was a renowned Japanese author and designer with a diverse body of work including poster designs, packaging design, advertising, and cover designs. He became the first art director of IDEA magazine, Japan's leading design magazine. The magazine was first published in 1953 and authored several books on design, contributing his insights to the field. Ohchi's work has been recognized and celebrated in major design exhibitions, including several at New York's Museum of Modern Art (MoMA).  

Linked Information

Idea October 1962 Extra issue - 12th Exhibition of JAAC. Cover design by Hiroshi Ohchi
Idea October 1962 Extra issue – 12th Exhibition of JAAC. Cover design by Hiroshi Ohchi
Hiroshi Ohchi was a renowned Japanese author and designer with a diverse body of work including poster designs, packaging design, advertising, and cover designs. He became the first art director of IDEA magazine, Japan's leading design magazine. The magazine was first published in 1953 and authored several books on design, contributing his insights to the field. Ohchi's work has been recognized and celebrated in major design exhibitions, including several at New York's Museum of Modern Art (MoMA).  
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.

Members Content

Franco Grignani’s ability to push design boundaries with his clients is a testament to his artistic eye and talent. His work on Bellezza d’Italia remains a fantastic example of how design can elevate and transform pharma goods.
Why Graphic Culture Matters is a compilation of 46 thought-provoking essays by renowned design critic Rick Poynor, delving into the realms of art, design, and visual communication.

Members Content

Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.