Tsunehisa Kimura - Japanese Graphic Designer

Industrial Art News – Vol. 28, No. 4, April-July 1960

Information

Content includes:
Three New Cars ’60
Nissan ‘ Cedric’
Toyopet ‘ Corona ‘
Mazda R 360′ Coupé..
Designers In A Manufacturing Company (1) Reorganized Toshiba Design Department
Report On Studying Abroad (6) American City – UCHIMURA Yoshiyuki
The 4th Osaka International Trade Fair
Japanese Booth For The 12th ‘Triennale di Milano’ Pre-shows In Tokyo – CHO Daisaku
IAN Spotlight : CEC Stereo Record Player SM-101
FUJI Unit Bert-conveyer
High Frequency Electric Welder ‘ SEIDEX’
Design : Bowl, Plate, Condiment Set And Cigarette Set – IA Design Section
CID Design Centre Awards And Duke Of Edinburgh’s Prize, 1960
The 4th Design Competition For Export Articles
Japan New Craft Exhibition
The 9th ‘ SEIKATSU TO KÖGEI’ Exhibition
News, Exhibitions, Books
Cover Design: KIMURA Tsunehisa (Our Cover Artist)

Details

Linked Information

Industrial Art News - Vol. 28, No. 4, April-July 1960 Cover design by Tsunehisa Kimura
Industrial Art News – Vol. 28, No. 4, April-July 1960 Cover design by Tsunehisa Kimura
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From the design archive:
From the design archive:
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Members Content

These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.

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Many designers played an important role in IBM's graphic identity and implementation including Arthur Boden, Clarence Lee, Charles Keddie and Mary Beresford.

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Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.

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Rastorfer transformed the advertising of Volkswagen and his work contrasted with that of the previously commissioned designers. It reiterates the importance of finding a designer who can transform your vision and adverting and how the significance of consistent messaging across advertisements, contributes to the creation of a memorable campaign