Industrial Art News – Vol. 37, No. 2, 1969

Information

Content includes:
America in the seventies: What the industrial designer
can expect to face in the future – J. Roger Guilfoyle
Equipment square – GK Industrial Design Association
Industrial designers in a department store• •SUZUKI Shogo
The reality of the industrial design KUBO Kazuhiko
IPI Study : Playing car for children – ndustrial Product Research Institute
Duke of Edinburgh’s Prize and ColD Design Awards
News, Exhibitions, Books
IPI news
Cover design : TAKAHASHI Minoru (Our cover artist)

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Linked Information

Industrial Art News – Vol. 37, No. 2, 1969. Cover design by Minoru Takahashi
Industrial Art News – Vol. 37, No. 2, 1969. Cover design by Minoru Takahashi
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.

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Yoshio Hayakawa was born in Osaka, Japan, in 1917 and became a leading designer and artist in postwar Japan. His work was a harmonisation of traditional Japanese art with Western art.

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The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.
Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.