Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995

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Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995
Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995

 

Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995
Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995

 

Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995
Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995

 

Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995
Jean Widmer, graphiste, un écologiste de l’image, Centre Georges Pompidou, 1995
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Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.

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Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.

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After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.

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The stamps for the 1970 editions were designed by Jan Slothouber and William Graatsma in collaboration with the Centre for Cubic Constructions (CCC) in Heerlen.  Every stamp displays a different corner point of the same block, highlighting eight distinct corner points, with four chosen for their unique identities.