letterproef: drukkerij en uitgeversbedrijf, Type Specimen, c. 1980

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grotesque mager, grotesque halfvet, grotesque vet, garamont, garamont vet, grieks, speciale tekens, lijnen, handletter.

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letterproef: drukkerij en uitgeversbedrijf, Type Specimen, c. 1980
letterproef: drukkerij en uitgeversbedrijf, Type Specimen, c. 1980
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From the design archive:
From the design archive:
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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.

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Throughout the 1920s and 1930s, Paul Schuitema emerged as one of the Dutch pioneers of new typography. This article features a selection of the cover designs and a few inner spreads from my collected issues of De 8 en Opbouw.
I came across two sample books containing printed examples of the work executed by the students in the Composing and Machine Departments of the Polytechnic School of Printing, between 1907 and 1910. I couldn't resist adding these to the archive.