Mode Kleren Mode, Stedelijk Museum, Amsterdam, 1980

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Mode Kleren Mode, Stedelijk Museum, Amsterdam, 1980 designed by Wim Crouwel, André Toet gvn, Geert Schriever (Total Design)
Mode Kleren Mode, Stedelijk Museum, Amsterdam, 1980 designed by Wim Crouwel, André Toet gvn, Geert Schriever (Total Design)
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Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.
The Paris Poster Hoardings of 1938. Posters gleam forth accentuating the melody of this city as they direct the eye to articles of everyday use and above all to people who are the talk of the hour.

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Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.

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Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.