Modern Print, Vol 1. No.6, Alabaster, Passmore & Sons, c. 1940s

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Modern Print, Vol 1. No.6, Alabaster, Passmore & Sons, c. 1940s
Modern Print, Vol 1. No.6, Alabaster, Passmore & Sons, c. 1940s

 

Modern Print, Vol 1. No.6, Alabaster, Passmore & Sons, c. 1940s Inner Page
Modern Print, Vol 1. No.6, Alabaster, Passmore & Sons, c. 1940s Inner Page
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As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.

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Japanese modern design was heavily influenced by European art movements, particularly modernism and the Bauhaus school. As Japan's advertising industry expanded, it increasingly drew from Western culture, especially television and film, resulting in designs that were eclectic, vibrant, and infused with modernist energy.

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These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.
To Have and To Hold, contains hundreds of bag designs collected during over half a century. The book is a must-buy for anyone interested in ephemera, the history of design or British high street history.