Join the Mailing List

Membership

Graphic Design History from Design Reviewed

OASE 34, 1992, Over het interieur

Information

Content includes:
Redactioneel
Gaston Bachelard, De hoeken
Frans Sturkenboom, Het dierenhol Wrights huis boven de waterval
Pieter Jan Gijsberts, Een transparante fantasmagorie en Inundatie van de blik
Wilfried van Winden, Materie en maskerade, Over textuur en traditie in het werk van Sir Edwin Lutyens en in het bijzonder enige van zijn interieurs
Willemijn Wilms Floet, Architecture on the rocks Drie villa’s van John Lautner
Michiel Riedijk, Raster, labyrinth en grot

Details

  • Format: Magazine
  • Designer/s: Karel Martens
  • Year: 1992
  • Client/Publisher: SUN Publishers
  • Size: 170mm × 240 mm

Linked Information

OASE 34, 1992. Designed by Karel Martens
OASE 34, 1992. Designed by Karel Martens
More graphic design artefacts
Grafisch Nederland 1985, Amsterdam, Koninklijk Verbond van Grafische Ondernemingen, 1985
From the design archive:

Grafisch Nederland 1985, Amsterdam, Koninklijk Verbond van Grafische Ondernemingen, 1985

  • Format: Book
  • Year: 1985
View Artefact
De 8 en Opbouw, 10e jaargang No 26, 23 December 1939
From the design archive:

De 8 en Opbouw, 10e jaargang No 26, 23 December 1939

  • Format: Magazine
  • Designer/s: Paul Schuitema
  • Year: 1939
View Artefact
Jazz Journal, 5, 1974
From the design archive:

Jazz Journal, 5, 1974

  • Format: Magazine
  • Year: 1974
View Artefact
Agam, Stedelijk Museum, 1973. Designed by Wim Crouwel
From the design archive:

Agam, Stedelijk Museum, 1973

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel
  • Year: 1972
View Artefact

view more of the graphic design archive

More graphic design history articles
a-history-arab-graphic-design_0008_Background copy
  • Design Books

Documenting a Century of Design Inspiration – a History of Arab Graphic Design

Both educators have a keen interest in multiscriptual design, Arabic type design, and graphic design and recently released A History of Arab Graphic Design. I contacted Bahia and Haythem to find out more.
Publicity for Higher Education in the USA by J. J. De Lucio-Meyer
  • Design Outlook

Publicity for Higher Education in the USA by J. J. De Lucio-Meyer

The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.
Inspiring-the-students-at-Arts-University-Bournemouth--1024x723
  • Workshops and Lectures

Inspiring the students of Arts University Bournemouth

My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.

Members Content

Ikko Tanaka Posters 1980-2002, DNP Graphic Design Archive Exhibition IV, 2012 C
  • Design Archive Feature, Members Only Content

Ikko Tanaka. Japanese Graphic Designer | 1930 – 2002 

Ikko Tanaka (田中一光, 1930–2002) was a celebrated Japanese graphic designer. His client list included Mazda, Hanae Mori and Issey Miyake, Expo '85 in Tsukuba, World City Expo Tokyo '96, and the Victoria and Albert Museum.