Join the Mailing List

Membership

Collected Graphic Design History from Design Reviewed

OASE 34, 1992, Over het interieur

Information

Content includes:
Redactioneel
Gaston Bachelard, De hoeken
Frans Sturkenboom, Het dierenhol Wrights huis boven de waterval
Pieter Jan Gijsberts, Een transparante fantasmagorie en Inundatie van de blik
Wilfried van Winden, Materie en maskerade, Over textuur en traditie in het werk van Sir Edwin Lutyens en in het bijzonder enige van zijn interieurs
Willemijn Wilms Floet, Architecture on the rocks Drie villa’s van John Lautner
Michiel Riedijk, Raster, labyrinth en grot

Details

  • Format: Magazine
  • Designer/s: Karel Martens
  • Year: 1992
  • Client/Publisher: SUN Publishers
  • Size: 170mm × 240 mm

Linked Information

OASE 34, 1992. Designed by Karel Martens
OASE 34, 1992. Designed by Karel Martens
More graphic design artefacts
Eye, Issue 047, Spring 2003
From the design archive:

Eye, Issue 047, Spring 2003

  • Format: Magazine
  • Year: 2003
View Artefact
Typografische Monatsblätter, 7, 1934
From the design archive:

Typografische Monatsblätter, 7, 1934

  • Format: Magazine
  • Year: 1934
View Artefact
The Colophon, A Quarterly For Bookmen, Summer 1935
From the design archive:

The Colophon, A Quarterly For Bookmen, Summer 1935

  • Format: Book
  • Year: 1935
View Artefact
Blanco y Negro, Año 42, No 2.146, 1932
From the design archive:

Blanco y Negro, Año 42, No 2.146, 1932

  • Format: Magazine
  • Year: 1932
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Trademarks of the World, Yusaku Kamekura, 1958
  • Design Archive Feature, Members Only Content

Paul Rand on Japanese Trademark Design

Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.
Read Article
Idea 81, 1967. Cover design by Yusaku Kamekura
  • Design Archive Feature

Elements of Idea “The Arrow” by Shigeo Fukuda, 1973

The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.
Read Article
Fred Troller Design on Volume
  • Design Books

The first comprehensive survey of Fred Troller!

Unit Editions launches Fred Troller Design on Volume – the first comprehensive survey of the work of a pioneering designer who brought Swiss modernism to America in the 1960s, via influential projects for clients including IBM, American Airlines and Geigy.
Read Article
Analysis of Paris Poster Hoardings - Photograph by Maywald, Paris
  • Design Archive Feature, Design Outlook

A 1938 Analysis of Paris Poster Hoardings by Dr. E. G. Paulus

The Paris Poster Hoardings of 1938. Posters gleam forth accentuating the melody of this city as they direct the eye to articles of everyday use and above all to people who are the talk of the hour.
Read Article