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Graphic Design History from Design Reviewed

Perspektiven, Literatur, Kunst, Musik, 4, 1953

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Details

  • Format: Book
  • Designer/s: Erle Yahn
  • Year: 1953
  • Size: 150mm x 228mm

Linked Information

Perspektiven, Literatur, Kunst, Musik, 4, 1953. Cover design by Erle Yahn
Perspektiven, Literatur, Kunst, Musik, 4, 1953. Cover design by Erle Yahn
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Graphic Design 42, 1971
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Graphic Design 42, 1971

  • Format: Magazine
  • Designer/s: Ejima, Haruo Takino, Teruhiko Yumura
  • Year: 1971
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Novum Gebrauchsgraphik, 7, 1980
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Novum Gebrauchsgraphik, 07, 1980

  • Format: Magazine
  • Year: 1980
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Graphis 116, 1964. Cover design by Eduard Prüssen.
From the design archive:

Graphis 116, 1964

  • Format: Magazine
  • Designer/s: Eduard Prüssen
  • Year: 1964
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Idea 109, 1971-11. Cover design by Annegret Beier
From the design archive:

Idea 109, 1971-11

  • Format: Magazine
  • Designer/s: Annegret Beier | Photo: Hans Mauhi
  • Year: 1971
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Unimark International and the visual identity of South-African manufacturer, DEFY.
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Unimark International and the visual identity of South-African manufacturer, DEFY.

The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.

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Banks & Miles. Designing Public Information

Banks & Miles, were founded in 1958 by Colin Banks and John Miles and became renowned for their design work with major British institutions and companies. They made significant contributions to type design and corporate identity.

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Siegfried Odermatt advertisment designs for Grammo Studio
  • Design Archive Feature, Members Only Content

Siegfried Odermatt and the Swiss Design for Grammo Studio

A fantastic example of Swiss design for brand systems is the brand and advertising by Siegfried Odermatt commissioned by Grammo Studio in Zurich.
Frank René Testemale’s IBM Advertising in France. Scanned from Gebrauchsgraphik, 4, 1964.
  • Design Archive Feature

Frank René Testemale’s IBM Advertising in France by Alexandre Alexandre, 1964

IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.