Posters and Publicity 1926, Special Autumn Issue, The Studio, 1926

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Posters and Publicity 1926, Special Autumn Issue, The Studio, 1926
Posters and Publicity 1926, Special Autumn Issue, The Studio, 1926
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Throughout the 1920s and 1930s, Paul Schuitema emerged as one of the Dutch pioneers of new typography. This article features a selection of the cover designs and a few inner spreads from my collected issues of De 8 en Opbouw.
Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.

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The stamps for the 1970 editions were designed by Jan Slothouber and William Graatsma in collaboration with the Centre for Cubic Constructions (CCC) in Heerlen.  Every stamp displays a different corner point of the same block, highlighting eight distinct corner points, with four chosen for their unique identities.