Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Publimondial 75, 1956

Information

Content includes:
Financial Advertising and its Relation To Display Advertising, by Pierre Boisacq
Afterthoughts on Monte-Carlo, by Guy Brun
The « Precision Tool » Of Advertising, by Pierre Rophé, President Of The Advertising Publishers’ Federation
Trade Calendars Produced by Enschede En Zonen, Holland
Centenary Publication of a French Soda Manufacturer Setzke
The Year’s Advertising of Gumaelius, Stockholm
Selection: A Digest Of World News in the Field of Advertising and The Graphic Arts, by Mostyn Mowbray

Details

  • Format: Magazine
  • Designer/s: Guy Georget
  • Year: 1956
  • Size: 245mm x 315mm

Linked Information

Publimondial 75, 1956. Cover design by Guy Georget
Publimondial 75, 1956. Cover design by Guy Georget
More graphic design artefacts
Domas, 04, 1932. Cover design by Karlis Buss
From the design archive:

Domas, 04, 1932

  • Format: Magazine
  • Designer/s: Karlis Buss
  • Year: 1932
View Artefact
Der Druckspiegel, 10, October 1965
From the design archive:

Der Druckspiegel, 10, October 1965

  • Format: Magazine
  • Year: 1965
View Artefact
Little Journeys to the Homes of Great Business Men, Elbert Hubbard, Vol 25, December 1909
From the design archive:

Little Journeys to the Homes of Great Business Men, Elbert Hubbard, Vol 25, December 1909

  • Format: Magazine
  • Year: 1909
View Artefact
Gebrauchsgraphik, 8, 1968. Cover design by Tomás Vellvé
From the design archive:

Gebrauchsgraphik, 8, 1968

  • Format: Magazine
  • Designer/s: Tomás Vellvé
  • Year: 1968
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Süddeutsche Rundfunk, Brochures, 1959-60. Designed by Hans Geipe
  • Design Archive Feature, Members Only Content

Hans Geipel’s Brochure Designs for Süddeutsche Rundfunk (SDR)

A collection of letterpresses German brochures from 1959/1960 designed by Hans Geipel for Süddeutsche Rundfunk (SDR), the South German Radio Network based in Stuttgart.
Publicity for Higher Education in the USA by J. J. De Lucio-Meyer
  • Design Outlook

Publicity for Higher Education in the USA by J. J. De Lucio-Meyer

The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.
Idea 81, 1967. Cover design by Yusaku Kamekura
  • Design Archive Feature

Elements of Idea “The Arrow” by Shigeo Fukuda, 1973

The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.
Hans Adolf Albitz und Ruth Albitz-Geiß, Subway boardings (3,80 × 2,50 m).
  • Design Archive Feature

Hans Adolf Albitz and Ruth Albitz-Geiß by Franz Hermann Wills, 1952

Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.