Jan Bons - Dutch Designer and Illustrator

The Studio, Programme 1967-68

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Jan Bons studied painting and advertising art at the Academie voor Beeldende Kunsten in The Hague from 1936 to 1937, and then continued his studies for a year at the Nieuwe Kunstschool in Amsterdam. Throughout his profession, Bons stood out as a versatile designer, he illustrated books and designed posters and exhibitions. As well as working on large-scale murals and sculptures. Bons loved the profession and his work, it’s no surprise that his extensive portfolio boasts hundreds of posters and brochures, for many clients, in particular, the cultural sector. Amongst Bons’s long-term clients include theatre groups De Appel in The Hague and Studio in Amsterdam.

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The Studio, Programme 1967-68. Designed by Jan Bons
The Studio, Programme 1967-68. Designed by Jan Bons

 

The Studio, Programme 1967-68. Designed by Jan Bons
The Studio, Programme 1967-68. Designed by Jan Bons

 

Jan Bons studied painting and advertising art at the Academie voor Beeldende Kunsten in The Hague from 1936 to 1937, and then continued his studies for a year at the Nieuwe Kunstschool in Amsterdam. Throughout his profession, Bons stood out as a versatile designer, he illustrated books and designed posters and exhibitions. As well as working on large-scale murals and sculptures. Bons loved the profession and his work, it’s no surprise that his extensive portfolio boasts hundreds of posters and brochures, for many clients, in particular, the cultural sector. Amongst Bons’s long-term clients include theatre groups De Appel in The Hague and Studio in Amsterdam.
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Every year the 20 best posters are selected in Germany and once more brought to the attention of the public. We do not publish all the twenty posters today; instead we add some which failed to be distinguished and which nevertheless are distinguished.
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.
Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.

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Ian McLaren and Ken Briggs produced exceptional work for a range of clients in the arts and culture sector. Their client included CND (Campaign for Nuclear Disarmament), The National Theatre and the Arts Council.