Typography 5, Shenval Press, Spring 1938

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Robert Harling [Edited by]
Contents:
The Work of Denis Tegetmeier by Eric Gill
The Morning Post [Review] by S. L. Righyni
Timetable Typography by Christian Barman
The Bauer Typefoundry by Konrad Bauer
Updike’s Printing Types [Review] by Harry Carter
A Paul Nash Portfolio [Review] by John Gloag
The English Print [Review] by Howard Wadman
Patent Medicine Advertising by Denis Butlin
Modern Newspaper Make-Up by John E. Allen
Type Reviews and Specimens

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Typography 5, Shenval Press, Spring 1938
Typography 5, Shenval Press, Spring 1938
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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.

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Throughout the 1920s and 1930s, Paul Schuitema emerged as one of the Dutch pioneers of new typography. This article features a selection of the cover designs and a few inner spreads from my collected issues of De 8 en Opbouw.

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Nikon commissioned Yusaku Kamekura to design numerous posters, packaging designs and advertisements for Nikon. He used abstract forms, an impactful use of colours, along with his skilful reduction of messaging.
Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.