Join the Mailing List

Membership

Graphic Design History from Design Reviewed
Kohei Sugiura - Japanese Graphic Designer

Urban Housing Issue 15, July 1969

Information


What is a citizen? / Nakahira Kunihiko
Housing: Issues of material culture in ethnology
Nicollet Mall
Special feature: Apartment house research 3
・Harleen Siedlung / Design: Atelier 5; Isometric drawing: Furusawa Yukio, Otani Hiroshi
・Considerations on the spatial characteristics of living environments and slopes / Uchii Shozo
・Technical considerations of slope development / Chiba Choju
・Round-table discussion: Slope development and the potential of stepped apartment buildings / Uchii Shozo + Fujimoto Masaya + Matsui Gengo + Inuzuka Keizo + Sakai Shinichi + Haruhara Susumu
・Description of the method of environmental setting / Toshio Nakamura
・Slopes, cities, humans / Manabu Tajima
・Stepped housing / Lucius Burckhardt
・Stepped housing in Europe
Oslo, Norway
Near Zurich
Zugg, Switzerland
Klingnau
Mühlehalde on the Burgerberg
Visp/Stockholm, Switzerland
Untersiggenthal, Switzerland
Wittikon, Zurich
Cultural Anthropology Eyes 10 Tonga European and Indigenous Cultures/Yasukazu Izumi
Tongan Housing/Machiko Aoyagi
Beds Considerations on Beds
Humans, Machines, and Symbiotic Systems 3/Planning by Arata Isozaki and Kohei Sugiura

Details

  • Format: Magazine
  • Designer/s: Kohei Sugiura
  • Year: 1969
  • Client/Publisher: Kajima Institute Publishing
  • Size: 220mm x 294mm
Kohei Sugiura’s work spans an impressive range of mediums, including record jackets, publication covers, posters, exhibition catalogues, and stamps. He perfectly merged functionality and data visualisation with aesthetics.

Linked Information

Urban Housing Issue 15, July 1969. Cover design by Kohei Sugiura
Urban Housing Issue 15, July 1969. Cover design by Kohei Sugiura
Kohei Sugiura’s work spans an impressive range of mediums, including record jackets, publication covers, posters, exhibition catalogues, and stamps. He perfectly merged functionality and data visualisation with aesthetics.
More graphic design artefacts
Novum Gebrauchsgraphik, 1, 1978
From the design archive:

Novum Gebrauchsgraphik, 1, 1978

  • Format: Magazine
  • Year: 1978
View Artefact
Rassegna 19, Il Contributo Della Scuola Di ulm/ the Legacy of the School of Ulm, 1984
From the design archive:

Rassegna 19, Il Contributo Della Scuola Di ulm/ the Legacy of the School of Ulm, 1984

  • Format: Magazine
  • Year: 1984
View Artefact
Kenwood - PAOS Design, [The World of Corporate Beauty], CI Design, (23 Book Set), 1989
From the design archive:

Kenwood – PAOS Design, [The World of Corporate Beauty], CI Design, (23 Book Set), 1989

  • Format: Books in Slipcase
  • Designer/s: PAOS
  • Year: 1989
View Artefact
Type. A Visual History of Typefaces and Graphic Styles, Taschen, 2013
From the design archive:

Type. A Visual History of Typefaces and Graphic Styles, Taschen, 2013

  • Format: Book
  • Year: 2013
View Artefact

view more of the graphic design archive

More graphic design history articles
Pharmaceutical Ad Design by Hans Jürgen Rau
  • Design Archive Feature

The Design and Photography of Hans Jürgen Rau by Hans Kuh, 1962

In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.

Members Content

La Biennale di Venezia XII, Festival Internazionale Di Musica Contemporanea, 1949. Designed by Max Huber
  • Design Archive Feature, Members Only Content

Max Huber. Swiss Graphic Designer | 1919 – 1992

Max Huber was born in 1919 in Switzerland. He studied at the Kunstgewerbeschule (School of Arts and Crafts) in Zurich where he excelled in graphic design and photography.  Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.

Members Content

Scan 415
  • Design Archive Feature, Members Only Content

Manifestos on Kinetic Art

Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.

Members Content

Artrosil B Advertisement designed by Franco Grignani in 1953. Scanned from Gebrauchsgraphik 03, 1956
  • Design Archive Feature, Members Only Content

Franco Grignani’s Pharmaceutical Advertising Design

Franco Grignani’s ability to push design boundaries with his clients is a testament to his artistic eye and talent. His work on Bellezza d’Italia remains a fantastic example of how design can elevate and transform pharma goods.