Visible Language (The Journal of Typographic Research), Vol 02, 01, January 1968

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Content includes:
Semantic Differentials of Typefaces as a Method of Congeniality Research, Dirk Wendt
The Design of Egyptian 505, André Gürtler
Words in Color: Two Experimental Studies, L. R. Hinds and W. G. Dodds
Research Report on Color Story Reading, F. Kenneth Jones
Unjustified Composition on the Rotterdamsch Nieuwsblad, C. H. Evers

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Visible Language (The Journal of Typographic Research, Vol 02, 01, January 1968
Visible Language (The Journal of Typographic Research, Vol 02, 01, January 1968
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The Paris Poster Hoardings of 1938. Posters gleam forth accentuating the melody of this city as they direct the eye to articles of everyday use and above all to people who are the talk of the hour.

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Forward and a selection of poster designs entered to the Die besten Plakate des Jahres 1963. Featuring the work of Hans Hartmann, Jörg Hamburger, Jost Hochuli, and Armin Hofmann.

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After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.

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Volkswagen commissioned a fantastic range of graphic designers, including Wolf Zimmermann, Hans Looser and Michael Engelmann. The designers amplified the brand image of Volkswagen with strikingly modern designs.