Visible Language (The Journal of Typographic Research), Vol 02, 02, April 1968

Information

Content includes:
Type Reading Machines for the Blind, Glendon C. Smith
Reader Response to Newspaper Front-page Format, J. W. Click and G. H. Stempel
Words Fragments as Aids to Recall: the Organization of Words, L. M. Horowitz, M. A. White, and D. W. Atwood
Readership of Advertisements with All-display Typography, A. T. Turnbull and D. E. Carter
The Diagram Is the Message, Jesse H. Shera and Conrad H. Rawski

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Visible Language (The Journal of Typographic Research, Vol 02, 02, April 1968
Visible Language (The Journal of Typographic Research, Vol 02, 02, April 1968
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

“Der Druckspiegel” typographic supplement May 5, 1967, was focused on a selection of the winning entries from Die besten Plakate des Jahres featuring over fifty winning entries.
Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.

Members Content

As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.
To Have and To Hold, contains hundreds of bag designs collected during over half a century. The book is a must-buy for anyone interested in ephemera, the history of design or British high street history.