Visible Language, Vol 10, 03, Summer 1976

Information

Content includes:
Poetry as a Means for the Structuring of a Social Environment by Eugen Gomringer
“Correspondences” by Jane Greengold, Chris Tanz
Declaration of Independence Kit by Stephen G. Perrin
Statements 76 by Jack Weiss
An “Ikon of the Soul”: The Byzantine Letter by A.R. Littlewood
Models for Predicting How Adults Pronounce Vowel Digraph Spellings in Unfamiliar Words by Richard L. Venezky, D. D. Johnson
One Hundred Essential Sight Words by Wayne Otto, Cathy Stallard

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Visible Language, Vol 10, 03, Summer 1976
Visible Language, Vol 10, 03, Summer 1976
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Jean Carlos Distefano is an Argentinian artist, designer and teacher. He designed a range of posters, programmes brochures and book covers alongside Juan Andralis, Humberto Rivas and Roberto Alvarado for the Instituto di Tella, Buenos Aires.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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Ezio Bonini's work for "Società del Linoleum" in Milan, showcasing advertisements designed for various Italian newspapers aimed at expanding the linoleum market

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In December 1924, the Netherlands introduced children's stamps (Kinderzegels). Over the years, these stamps have featured designs by some of the most prominent Dutch designers, including Gerard Kiljan, P. Koch, Gerrit Noordzij, Otto Treuman, Robert Deodaat Emile ‘Ootje’ Oxenaar, Dick Bruna, Jan van Toorn, and Karel Martens.