Gebrauchsgraphik, 11, 1954

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Content incides:
Eberhard Hölscher: The sales promoting stunt films along new lines
Eberhard Hölscher: New Polish posters for films
B. Majorick: Sales promotion for wine
Anton Sailer:Albrecht Appelhans, the illustrator
Armin Renker: «Dueren and its paper» at the DRUPA 1954
Raimund Hrabak: Gaetano Cecchetti, Mailand • Industrial art
Eberhard Hölscher: Representative graphic art Technological diagrams by Gunther Graßmann
Eberhard Hölscher: Carnival in Cologne. Results of a competition for a poster
«Fox», a type of the type foundry Genzsch & Heyse A.-G., Hamburg

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Gebrauchsgraphik, 11, 1954
Gebrauchsgraphik, 11, 1954
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A fantastic example of Swiss design for brand systems is the brand and advertising by Siegfried Odermatt commissioned by Grammo Studio in Zurich.
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.

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Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.
My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.