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Content includes:
Eberhard Hölscher – Werner Labbé. Book and advertising graphic art
Ludwig Ebenhöh – Oskar Spácil. A Czechoslovakian commercial graphic artist
Eberhard Hölscher – Hoesch is with us
Eberhard Hölscher – Advertisement’s for a «Records Only Store»
Remigius Netzer = The Illustrator Robert Pudlich
Hans Kuh – Hubs Flöter. Fashion photos
Eberhard Hölscher – Advertising Typography in the USA
Erich Pfeiffer-Belli – The exhibition programmes of the German Council of Art
Carl Heussner – Michael Margolis. Commercial graphic art and illustrations
Folio Grotesk» a type of the Bauersche type foundry, Frankfort-on-the-Main

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Gebrauchsgraphik, 3, 1959. Cover design by Paret
Gebrauchsgraphik, 3, 1959. Cover design by Paret
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Industrial design was an American design magazine featuring furniture, ceramics, housewares, appliances, automobiles, buildings, radios, projectors, televisions, and many other objects designed for the postwar middle class. First published in the 1950s by Charles Whitney with Alvin Lustig as art director.

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The designer is unstated on these postcards, which were designed during the mid to late 1970s, but these playful illustrations alongside what looks to be Frankfurter Bold definitely fit the criteria of friendliness and efficiency
Why Graphic Culture Matters is a compilation of 46 thought-provoking essays by renowned design critic Rick Poynor, delving into the realms of art, design, and visual communication.

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Walter Ballmer was a Swiss graphic designer born in Liestal, Switzerland in 1923. He worked across various design disciplines including advertising design, packaging, typography and exhibition design.