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Content includes:
Kurt Weidemann – Experiments between image and Letter · Works by Peter Steiner
Armin Eichholz – For People who have seen their Fill · Graphic Designs by Heinz Edelmann
Eberhard Hölscher – Old Shop-Signs
Hans Kuh – Tomas Vellvé, Barcellona · A Spanish Graphic Artist
Georg Kurt Schauer – “The Advertising Book-Jacket” Vintage of 1964

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Gebrauchsgraphik, 6, 1965
Gebrauchsgraphik, 6, 1965
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.
In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.

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Walter Ballmer was a Swiss graphic designer born in Liestal, Switzerland in 1923. He worked across various design disciplines including advertising design, packaging, typography and exhibition design.

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Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.