Information

Cover Design: Enzo Messi, Urs Schmidt, Francois Rappo
Editor in chief: Fumio Sudoh
Editorial Director: Yoshihisa Ishihara
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Enzo Messi & Urs Schimidt by Enzo Messi, Urs Schmidt, Francois Rappo
Issac Victor Kerlow and “The Maya Series” by Issac Victor Kerlow
Tadashi Sato: World of Digital Typography by Kazumasa Nagai
The Best of the 80s Exhibition by Paul Haslip
Illustrator’s Interpretations Exhibition – Exhibition of Original Paintings for Hotel Barmen’s Association Calendar 1979-1986 by Shinichiro Tora
Carol Gillot: Medical Computer Animated Illustration by Shinichiro Tora
Daniel Weil and “The New Design” by John Thackara
A Tribute to the Memory of Hiromu Hara by Yusaku Kamekura, Ikko Tanaka, Kazumasa Nagai, Helmut Schmid, Keisuke Konishi, Aaron Burns
David McGlynn’s multiple-frame “Composite Panoramas” by Tetsuro Hatano
Bridging the Modern Design to the 21st Century – Nancy Skolos by Christine Gebhard
AGI ’85: California U.S.A. by Takenobu Igarashi
Book Review: Mastering Layout – Mike Stevens
Special Feature: ’86 Graduation Works of Graphic Design Students
70th NIKA Exhibition, Commemorating 35th Aniversary of Visual Design Exhibition
The 46th Annual Exhibition of Art Culture Association

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Linked Information

Idea 197, 1986-7. Cover design by Enzo Messi, Urs Schmidt, Francois Rappo
Idea 197, 1986-7. Cover design by Enzo Messi, Urs Schmidt, Francois Rappo
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Industrial design was an American design magazine featuring furniture, ceramics, housewares, appliances, automobiles, buildings, radios, projectors, televisions, and many other objects designed for the postwar middle class. First published in the 1950s by Charles Whitney with Alvin Lustig as art director.
I came across two sample books containing printed examples of the work executed by the students in the Composing and Machine Departments of the Polytechnic School of Printing, between 1907 and 1910. I couldn't resist adding these to the archive.

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They were many other designs who played an important role in IBM's graphic identity and implementation. Some of the other designers included Arthur Boden, Clarence Lee, Charles Keddie and Mary Beresford.
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.