Walter Allner

International Poster Annual – 1948 | 1949

Information

Introduction:
Publication of this volume was inspired by the wish so often expressed by experts to see the best posters of the year from several countries collected into one book. Judging by the numerous proposals and hints received, the annual should supply a badly felt want, despite the many books already devoted to applied graphic art or to the work of independent artists. It is intended as a complete and readily accessible collection of documents, affording a comprehensive picture of international poster art, and forming a handy book of reference and an outstanding, stimulating and useful professional manual.
Compiled, designed and edited by W. H. Allner, under the art direction of A. M. Cassandre, this first issue of the International Poster Annual attempts to do justice to all these claims. It presents 479 posters by the best-known artists of 15 countries, with commentaries by W. H. Allner (France), Dr.
Eugen Bauer (Hungary), Jack Beddington C.B.E. (England), Fritz Bühler (Switzerland), Dr. E. Hölscher (Germany), E. McKnight Kauffer (U.S.A.), Jean Picart
Le Doux (France).
Text and captions in English, French and German.

Details

Walter Allner studied at the Bauhaus from 1927 to 1930 under renowned figures like Moholy-Nagy, Kandinsky, and Klee. In 1933, he became Jean Carlu's assistant in Paris before founding his own advertising agency, Omnium Graphique, and serving as art director of Formes. He exhibited as a free artist in Paris and was active in the Salon des surindépendants and the Salon des réalités nouvelles. Allner was the Paris correspondent for Graphis magazine from 1945 to 1948 and co-directed Editions Parallèles. In 1948, he founded and edited the International Poster Annual until 1952. After moving to the U.S. in 1949, he freelanced before joining Fortune magazine in 1951, where he became assistant art director. He also consulted for major clients like Johnson & Johnson, IBM, and the Museum of Modern Art.

Linked Information

International Poster Annual - 1948 | 1949. Designed by Walter Allner
International Poster Annual – 1948 | 1949. Designed by Walter Allner
Walter Allner studied at the Bauhaus from 1927 to 1930 under renowned figures like Moholy-Nagy, Kandinsky, and Klee. In 1933, he became Jean Carlu's assistant in Paris before founding his own advertising agency, Omnium Graphique, and serving as art director of Formes. He exhibited as a free artist in Paris and was active in the Salon des surindépendants and the Salon des réalités nouvelles. Allner was the Paris correspondent for Graphis magazine from 1945 to 1948 and co-directed Editions Parallèles. In 1948, he founded and edited the International Poster Annual until 1952. After moving to the U.S. in 1949, he freelanced before joining Fortune magazine in 1951, where he became assistant art director. He also consulted for major clients like Johnson & Johnson, IBM, and the Museum of Modern Art.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.
Triest Verlag für Architektur, Design und Typografie are a Swiss independent publisher producing specialist design books in the realms of typography, graphic design and architecture. Their books provide valuable insights and the print production is of exceptional quality. I interviewed the founders, to find out more about their books.

Members Content

Publimondial was founded André Roulleaux in 1942 and remained in circulation until 1960. The French journal was published by Art et Publications and was subtitled ‘The Magazine of Graphic Arts and Advertising Technique’.

Members Content

In 1964, Sugiura was commissioned by the magazine Design to design each of their twelve monthly cover designs. Creating a series of systems which set the foundations for the design.