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Content includes:
Andre Francois (Claude Roy, Paris)
Art Directors Club of New York, 56th Annual Exhibition of Advertising and Editorial Art and Design (Arnold Roston, New York)
Charles Eames/Arnold Arnold. Designed for Play (Michael Haber, London, and Arnold Arnold, New York)
Eugenio Carmi (Franco Russoli, Milano)
Bill Sokol (Marc Senigo, New York)
Invitation Cards (Hans Pflug, Zurich)
Tribal Art of Middle India (V. Ellwin, Shillong, India)
Ancient Ivories from the Negev (Jean Perrot, Jerusalem)

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Graphis 76, 1958. Cover design by André François.
Graphis 76, 1958. Cover design by André François.
More graphic design artefacts
From the design archive:
From the design archive:
More graphic design history articles

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Collected Japanese ephemera From the late 1920s to the mid-1930s, from Japan's transformative period, with its robust industrial force accompanied by an increase in consumer culture.

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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The collection of works I've gathered, designed for Olympia-Werke, showcases the height of mid-century German commercial artistry. The work was collated in a branded folder and contained forty brochures, advertisements and manuals.
In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.