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Fodor 6, 1972 - Leo de Vries. Designed by Wim Crouwel and Jos van der Zwaan (Total Design)
Fodor 6, 1972 – Leo de Vries. Designed by Wim Crouwel and Jos van der Zwaan (Total Design)
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Oskar Reiner advertisements for Opel distinguish themselves by clarity and visually appealing conception.
Theo Häussler's commercial art is distinguished by its clear and disciplined form and its distinct advertising message.

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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.

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1930s periodical 'Monografieën over filmkunst' designed by dutch designer Piet Zwart remains a pinnacle of Dutch avant-garde design.