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Content includes:
Pier Carlo Santini – The church of Alvar Aalto in Riola
Daniele Baroni – Baldessari’s semi-permanent architectures
Daniele Baroni – The era of steel (part one). Fifty years of Domus
Cini Boeri, coll. L. Griziotti – In Milan. In Copenhagen
Antonio Rossin – Shoes for young people
Tecno Project Center – Rigorous furniture for a company canteen
P. De Martini, G. Falconi, F. Fois – House in Pontida
Pier Carlo Santini – Manfredi Nicoletti: almost a self-portrait
Achille Castiglioni – Frisbi
Cini Boeri – Academy/ Ali’Euroluce
Antonio Virgilio – Padded
Tecno Project Center – 230 series
Carlo Forcolini – Remembering neoplasticism
Norbert Linke and Attilio Marcolli – The grip of the hands
Giovanni K. Koenig and Roberto Segoni – The «Renaissance du Tramway
Mario Arnaboldi – Skateboard on the indoor track
Francesco Binfaré – A stage for Le Corbusier. The design of the Castiglioni
Guido Ballo – Fiat’s invitation to meet Dubuffet

Direction: Sergio Mazza
Editing: Giuliana Gramigna
Graphics: Salvatore Gregorietti (Unimark)
Photographs: Anghinelli, Dance, Basil Cavalleri, Falchi and Salvador, Lennard, Maggi, Schezen, Valabrega, Ziglioli.

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Ottagono 51, 1978. Designed by Salvatore Gregorietti (Unimark)
Ottagono 51, 1978. Designed by Salvatore Gregorietti (Unimark)
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Publimondial was founded André Roulleaux in 1942 and remained in circulation until 1960. The French journal was published by Art et Publications and was subtitled ‘The Magazine of Graphic Arts and Advertising Technique’.

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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.

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Industrial design was an American design magazine featuring furniture, ceramics, housewares, appliances, automobiles, buildings, radios, projectors, televisions, and many other objects designed for the postwar middle class. First published in the 1950s by Charles Whitney with Alvin Lustig as art director.

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A selection of poster designs from Die besten Plakate des Jahres 1958 with a translated foreword by Maria Netter. Featuring the work of Müller-Brockmann, Celestino Piatti, Donald Brun and Armin Hofmann.