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Neue Grafik / New Graphic Design / Graphisme actuel - No.16, 1963. Josef Müller-Brockmann, Hans Neuburg, Richard Paul Lohse, and Carlo Vivarelli
Neue Grafik / New Graphic Design / Graphisme actuel – No.16, 1963. Josef Müller-Brockmann, Hans Neuburg, Richard Paul Lohse, and Carlo Vivarelli

 

Neue Grafik / New Graphic Design / Graphisme actuel - No.16, 1963. Josef Müller-Brockmann, Hans Neuburg, Richard Paul Lohse, and Carlo Vivarelli
Neue Grafik / New Graphic Design / Graphisme actuel – No.16, 1963. Josef Müller-Brockmann, Hans Neuburg, Richard Paul Lohse, and Carlo Vivarelli

 

Neue Grafik / New Graphic Design / Graphisme actuel - No.16, 1963. Josef Müller-Brockmann, Hans Neuburg, Richard Paul Lohse, and Carlo Vivarelli
Neue Grafik / New Graphic Design / Graphisme actuel – No.16, 1963. Josef Müller-Brockmann, Hans Neuburg, Richard Paul Lohse, and Carlo Vivarelli
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From the design archive:
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Collected Japanese ephemera From the late 1920s to the mid-1930s, from Japan's transformative period, with its robust industrial force accompanied by an increase in consumer culture.

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Ian McLaren and Ken Briggs produced exceptional work for a range of clients in the arts and culture sector. Their client included CND (Campaign for Nuclear Disarmament), The National Theatre and the Arts Council.
Support American Bauhaus on Kickstarter to pre-finance the project and its production: www.kickstarter.com/projects/908813786/american-bauhaus

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Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.