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Content includes:
CALENDARS AND BLOTTERS by B. W. Rome
FRANK GAYTON by A.A.B.
PRINTING FROM PAPER NEGATIVE: by Harold P. Pereira
THE EVOLUTION OF PRINTING MACHINERY by W. T. Berry
MAKING THE ENCLOSURE ATTRACTIVE by Edmund Maxim
RETOUCHING and RETOUCHING by Eric N. Simons
BOOK REVIEWS by R. P. Gossop

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Commercial Art Vol 4, No 12, November 1925. Front illustration by Frank Gayton
Commercial Art Vol 4, No 12, November 1925. Front illustration by Frank Gayton
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Both the And So To Embroider & And So to Sew bulletins were published by the Needlework Development Scheme. Established in 1934 and operating until 1961, the scheme was a partnership between educational establishments (Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow) and industry.

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Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.

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Publimondial was founded André Roulleaux in 1942 and remained in circulation until 1960. The French journal was published by Art et Publications and was subtitled ‘The Magazine of Graphic Arts and Advertising Technique’.
Every year the 20 best posters are selected in Germany and once more brought to the attention of the public. We do not publish all the twenty posters today; instead we add some which failed to be distinguished and which nevertheless are distinguished.