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Catalogue: Horst Keller
Cover: HAP Grieshaber (original woodcut)
Typography: Udo Siebler
Photos: Henry Maitek, Cologne
Overall production: Druckerei J. P. Bachem KG, Cologne
Clichés: Grünfeldt & Trietschel, Cologne and
Graphische Kunstanstalt Aurel Bongers, Recklinghausen (line etchings)
Printed in Western Germany

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German Prints of Today - Deutsche Graphik der Gegenwart, 1963
German Prints of Today – Deutsche Graphik der Gegenwart, 1963
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Karl Oskar Blase was born in 1925 in Cologne, Germany. He was a prolific painter, designer, sculptor and exhibition curator. His work included magazine covers, for publications such as Form and Gebrauchsgraphik, stamp designs for the German Postal Service and film posters for companies such as Atlas Films.
Gabriel sent me a link to his amazing Uruguayan Graphic Design Archive when I launched Design Reviewed. The content was so amazing, I ended up spending a good hour looking through the content and it has definitely made it to my bookmarks.

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Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.

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In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.