Content includes:
Controversial Problem over The ‘Good Design’ Selection of M.I.T.I.
Special Design Course with Kaj Franck, Our Invited Lecturer
Pinin Farina and His Works – SATO Shözö
Background of Finnish Arts and Crafts, and People in the Field (2) – YOSHITAKE Mosuke
The 2nd Design Competition for Export Articles
A Reminder of 1958
Töhoku (Northern part of Japan) – inspecting round the local arts and crafts – KOIKE Shinji
Arts and Crafts in Töhoku (Graph)
Exhibitions, News, Books
Cover Design: KATSUI Mitsuo (Our Cover Artist)
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
From the graphic design archive:
Advertising Design, Design Archive Feature, Members Only Content, Regional Histories
His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955 and Graphik – Werbung + Formgebung, 07, 1955.
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Design Archive Feature, Designer Profiles, Members Only Content, Regional Histories
Kazumasa Nagai (永井 一正) was born in 1929 in Osaka and is one of Japan's most acclaimed graphic designers. He designed iconic corporate logos for major companies such as Mitsubishi UFJ, Japan Railways, Nissin, and TEPCO and designed 100s of posters.
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Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.
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