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Content includes:
Design Policy of Dai Nippon Printing / Tatsuo FukushimaDai Nippon Printing’s PR personality / Yusaku KamekuraArt Cooley’s Words / Kozo Koike
Various Considerations on Design Presentation / GK Industrial Design Laboratory
Graphic Design in Living Design / Hiromu Hara
Designer Triple Mirror Where am I / Ryuichi Yamashiro
design digest
This design by Neil Fujita / Yusaku Kamekura
Visiting Design Schools in the World ② Royal College of Art, London / Masaaki Tanaka
Denmark Interior Exhibition / Katsuhiko Shiraishi
Addition, subtraction, multiplication and division in graphic design / Naomi Asakura

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Design (Japan), 56, 1964. Cover design by Kohei Sugiura
Design (Japan), 56, 1964. Cover design by Kohei Sugiura

 

Design Japan 56 1964 back

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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Collected Japanese ephemera From the late 1920s to the mid-1930s, from Japan's transformative period, with its robust industrial force accompanied by an increase in consumer culture.

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Wolfgang Bäumer's advertising design for Bayer, Klöckner Works and the Lottery. His adaptable design aesthetic alongside his skills of convening messaging through visuals are fantastic examples of mid-century German graphic design.

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The designer is unstated on these postcards, which were designed during the mid to late 1970s, but these playful illustrations alongside what looks to be Frankfurter Bold definitely fit the criteria of friendliness and efficiency
In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.