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Published by Práce, publishing house and publisher ROH in Prague for the Printing Industry Association in Prague, Printing Industry in Bratislava and Trade Union of Consumers industry in Prague.
Chief editor: Stanislav Soucek.
Cover and inners designed by Miroslav Nekys.

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Typografia, ročník 66, 08, 1963. Cover design by Miroslav Nekys

 

Typografia, ročník 66, 08, 1963. Cover design by Miroslav Nekys
Typografia, ročník 66, 08, 1963. Cover design by Miroslav Nekys
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The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.

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Collected Japanese ephemera From the late 1920s to the mid-1930s, from Japan's transformative period, with its robust industrial force accompanied by an increase in consumer culture.
Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.
In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.