Eye, Issue 001, Autumn 1990

Information

Opinion: Agenda- Neville Brody, Small is more creative
Features:
Reputations: Bruno Monguzzi by Valentina Boffa
In the first of Eye’s interviews with designers of renown, we talk to the Swiss typographer about perception, perfection and the pitfalls of style
Modernism by mail by the editor
A two-part examination of design at the Dutch post office
Official anarchy
For seventy years the PTT has been an exemplary patron
Flexible geometry by Hugh Aldersey-Williams
How Studio Dumbar propelled the PTT into the present
The good radical by Yvonne Schwemer-Scheddin
In Eckhard Jung’s work the teaching of Ulm lives on
Cool, clear, collected by Robin Kinross
Blue Note designer Reid Miles and photographer Francis Wolff were a classic combo. Their covers have been envied, imitated, but rarely equalled.
TV in the age of eye candy by Jim McClellan
People used to say the ads were the best thing on British TV. Now it’s the graphics which are overwhelming the programmes.
Reviews: Type90

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Eye, Issue 001, Autumn 1990
Eye, Issue 001, Autumn 1990
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Members Content

Gebrauchsgraphik 06, 1956 features a selection of the posters entered into the 1956 awards. It is unknown how many entries were submitted to the 1956 awards but a total of 21 posters were awarded.

Members Content

The advertising agency played a crucial role in shaping consumer culture by acting as a bridge between businesses and the media and was stated to have started in the mid-19th century.
Parallel Public is a new publication by Sara Blaylock, published by MIT Press. The book documents the East German artists pioneering work that made their country’s experimental art scene a form of (counter) public life.
My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.