Information

Opinion: Green’s grey zones, Agenda, James Woudhuysen
It has always been the duty of graphic designers to challenge conventional wisdom. Designers have…
Features:
Reputations: Alan Fletcher by Rick Poynor
An interview with Pentagram’s ringmaster of paradox.
Maps and dreams by Rick Poynor
No printing method is too basic for Jake Tilson. Created with photocopiers, his books, magazines and objects are crammed with offbeat inventions.
Wheels of fortune by William Owen
Fortune magazine was a visual encyclopedia of American business life
Temple of type by Robin Kinross
St Bride Library is one of the world’s best sources of information about type design and typography. Now it is under threat
Signals in the street by Yvonne Schwemer-Scheddin
Poster design is an instantaneous art. Eye looks at prize-winners from “Typography Germany ’90”
The designer unmasked by Gerard Forde
Jan van Toorn has turned graphic agitation into a fine art. Profile by Gerald Forde
Reviews: Design: Vignelli

Details

Linked Information

Eye, Issue 002, Winter 1990
Eye, Issue 002, Winter 1990
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Jean Carlos Distefano is an Argentinian artist, designer and teacher. He designed a range of posters, programmes brochures and book covers alongside Juan Andralis, Humberto Rivas and Roberto Alvarado for the Instituto di Tella, Buenos Aires.

Members Content

Volkswagen commissioned a fantastic range of graphic designers, including Wolf Zimmermann, Hans Looser and Michael Engelmann. The designers amplified the brand image of Volkswagen with strikingly modern designs.
Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.