Join the Mailing List

Membership

Graphic Design History from Design Reviewed

New Direction in Japanese Architecture, Studio Vista, 1968

,

Information

Author: Robin Boyd
Number of Pages: 128 Pages

Details

  • Format: Book
  • Designer/s: Cover design by Toshihiro Katayama and book design by Jennie Bush
  • Year: 1968
  • Client/Publisher: Studio Vista
  • Size: 150mm x 240mm

Linked Information

New Direction in Japanese Architecture, Studio Vista, 1968. Cover design by Toshihiro Katayama and book design by Jennie Bush
New Direction in Japanese Architecture, Studio Vista, 1968. Cover design by Toshihiro Katayama and book design by Jennie Bush
More graphic design artefacts
Industrial Design, May, 1974
From the design archive:

Industrial Design, May, 1974

  • Format: Magazine
  • Year: 1974
View Artefact
Copley, Stedelijk Museum, Amsterdam, 1966 designed by Wim Crouwel
From the design archive:

Copley, Stedelijk Museum, Amsterdam, 1966

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel (Total Design)
  • Year: 1966
View Artefact
Idea 32, 1958-12. Cover design by Yoshio Hayakawa
From the design archive:

Idea 032, 1958-12

  • Format: Magazine
  • Designer/s: Yoshio Hayakawa
  • Year: 1958
View Artefact
Herbert Matter - Foto-Grafiker. Sehformen der Zeit. Lars Muller Publishers, 1995
From the design archive:

Herbert Matter – Foto-Grafiker. Sehformen der Zeit. Lars Muller Publishers, 1995

  • Format: Book
  • Designer/s: Herbert Matter
  • Year: 1995
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Postmodernism - Wet Magazine, Vol 4 Issue 2, 1979. Designed by April Greiman
  • Design Archive Feature, Members Only Content

A New Visual Language: From New Wave to Postmodernism in Graphic Design

A 1,500 essay on the transformative era of graphic design from the 1970s to the 1990s. Moving beyond the constraints of modernism, designers like Wolfgang Weingart and April Greiman redefined visual communication through bold experimentation with type, colour, and early computer graphics. This essay highlights how postmodernism and New Wave design introduced complexity, individuality, and digital innovation in to graphic design.

Members Content

Omnibus 9, University of Braunschweig, 1964. Designed by Udo Zisowsky in collaboration with Peter Riefenstahl, Manfred Bremeler, Ralf Dierig
  • Design Archive Feature, Members Only Content

The Advertising and Design of Omnibus – The University of Braunschweig’s 1960s Publication

Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.

Members Content

Erberto Carboni’s Crociere 1937 “Italia” Brochure
  • Design Archive Feature, Members Only Content

Erberto Carboni’s Crociere 1937 “Italia” Brochure

One of my standout collected pieces is Erberto Carboni’s Crociere 1937 “Italia” Brochure, created for the Societa di Navigazione’s 1937 cruise schedule.

Members Content

Idea 81, 1967. Cover design by Yusaku Kamekura
  • Design Archive Feature, Members Only Content

Yūsaku Kamekura. Japanese Graphic Designer | 1915 – 1997

Yūsaku Kamekura had a long list of clients and as well as cover designs, he worked across logo and brand design, packaging, book design, and other printed matter, but he is particularly known for his poster design. His clients included Nikon, Tokyo 1964 Olympics, Meiji and TDK.