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Content includes:
Opinion:
California panorama by Rick Poynor
Features:
From bombs to brands by the editors
Photography. Adventures in motion pictures
Adventures in motion pictures. Frozen fire by Kerry William Purcell
Adventures in motion pictures. The post-photographic age by Andrew Losowsky
Adventures in motion pictures. Neil McIntosh by Eye editors
Adventures in motion pictures. Aerial ballet of upholstery by John L. Walters
Adventures in motion pictures. ‘This is reality’ by John L. Walters
Adventures in motion pictures. Narrative arc by John L. Walters
All my own work by Wayne Ford
Every detail counts by Wayne Ford
Out of the darkroom by John Ridpath
Human touch
Reputations: Paula Scher by John L. Walters
Two wheels good by John Ridpath
David Pearson: inside out by John L. Walters
Slow print by John L. Walters
Reviews:
Type: A Visual History of Typefaces and Graphic Styles
MATRIX / Berkeley: A Changing Exhibition of Contemporary Art
Paul McCarthy’s Low Life Slow Life: Tide Box Tide Book
Graphic Design for Fashion
Puffin by Design: 70 Years of Imagination 1940-2010
Victore, or Who Died and Made You Boss?
Modern British Posters: Art, Design & Communication

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Eye, Issue 077, Autumn 2010
Eye, Issue 077, Autumn 2010
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Theo Häussler's commercial art is distinguished by its clear and disciplined form and its distinct advertising message.
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.

Members Content

The advertising agency played a crucial role in shaping consumer culture by acting as a bridge between businesses and the media and was stated to have started in the mid-19th century.

Members Content

They were many other designs who played an important role in IBM's graphic identity and implementation. Some of the other designers included Arthur Boden, Clarence Lee, Charles Keddie and Mary Beresford.